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Rafael Ferrer

Home
Recent Work
Selected Paintings 2015 - 2018 Blackboard Installations Selected Portraits 2013-2016 Recent Sculpture
Selected Earlier Work
Contructions 1995-2011 Works on Paper 2000-2011 Paintings 1981-1999 Portraits 1981- 1998 Paper Bag Faces 1972-Present Constructions 1972-1981 Maps 1972-1982 Installations 1967-1974 Prints
History
CV Bibliography Public Collections Grants /Awards Teaching Experience Lectures / Seminars Paintings 1950-1960 Sculptures 1960-1966
Documentation
Books Catalogues Articles Links to Articles
Contact
Gallery Representation Rights & Reproductions Artist Contact
  GUGGENHEIM : Under the Same Sun: Art from Latin America Today  June 13–October 1, 2014   

GUGGENHEIM: Under the Same Sun: Art from Latin America Today

June 13–October 1, 2014

 

GUGGENHEIM: Under The Same Sun: Art from Latin America Today

GUGGENHEIM: Under The Same Sun: Art from Latin America Today

 

Guggenheim UBS MAP Purchase Fund

Rafael Ferrer

b. 1933, Santurce, Puerto Rico Biography

 Artforhum, 1972. Vinyl, overall dimensions variable, unique. Solomon R. Guggenheim Museum, New York, Guggenheim UBS MAP Purchase Fund 2014.60 © Rafael Ferrer

Artforhum appeared first in the form of a multicolored neon sign that was shown in the artist’s 1971 solo exhibition at the Whitney Museum of American Art. Since then, he has returned to it as a way to proclaim his discontent with the status of art as a product made by and for an elite. The work reads as a pun on Artforum, the name of the iconic art-industry journal. The resultant word, a contraction and corruption of the provocative question “Art for whom?,” suggests not only that the magazine has routinely ignored art produced outside the European-North American axis, but also invites the viewer to question his or her own cultural position.

June 13–October 1, 2014

This exhibition reconsiders the state of contemporary art in Latin America, investigating the creative responses of artists to complex, shared realities that have been influenced by colonial and modern histories, repressive governments, economic crises, and social inequality, as well as by concurrent periods of regional economic wealth, development, and progress.

 Guggenheim Installation of Exhibition  Under the Same Sun , in London 2015

Guggenheim Installation of Exhibition Under the Same Sun, in London 2015

ARTBASEL (1).png
Opening of the New Whitney Museum of American Art in Chelsea

Opening of the New Whitney Museum of American Art in Chelsea

Highlights on the sixth floor section titled "Rational Irrationalism" include Michelle Stuart, “28 Moray Hill,” 1974; Rafael Ferrer, “Neon Corner,” 1970; and Richard Serra, “Prop,” 1978.

Slide1.jpg
 Entrance to Rafael Ferrer at the MCA Chicago 2015

Entrance to Rafael Ferrer at the MCA Chicago 2015

 Installation at Museum of Contemporary Art, Chicago 2015

Installation at Museum of Contemporary Art, Chicago 2015

 MCA Chicago 2015, Rafael Ferrer from their collection

MCA Chicago 2015, Rafael Ferrer from their collection

Art Basel Miami Beach 2014

Art Basel Miami Beach 2014

Henrique Faria Fine Art / Installation View

 Re-installation of the Collection at the Ponce Museum with 2 sculptures by Ferrer from the early 1960s (center and right)

Re-installation of the Collection at the Ponce Museum with 2 sculptures by Ferrer from the early 1960s (center and right)

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  GUGGENHEIM : Under the Same Sun: Art from Latin America Today  June 13–October 1, 2014   
GUGGENHEIM: Under The Same Sun: Art from Latin America Today
 Guggenheim Installation of Exhibition  Under the Same Sun , in London 2015
ARTBASEL (1).png
Opening of the New Whitney Museum of American Art in Chelsea
Slide1.jpg
 Entrance to Rafael Ferrer at the MCA Chicago 2015
 Installation at Museum of Contemporary Art, Chicago 2015
 MCA Chicago 2015, Rafael Ferrer from their collection
Art Basel Miami Beach 2014
 Re-installation of the Collection at the Ponce Museum with 2 sculptures by Ferrer from the early 1960s (center and right)

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